Saturday, March 5, 2011

If Banksy Were a Church Planter: Street Ministry and Street Art

      Having just watched the film documentary film “Exit Through the Gift Shop”, I got my first real look at the worldwide, mostly urban, subculture of “street art”.  If, like me, you have been unfamiliar with the provocative, enormously creative and somewhat subversive world of contemporary street art, I can heartily recommend “Exit” as a good starting place. 


            The instinct behind street art is to post, paint or otherwise display arresting images on everyday spaces such as walls, billboards, sidewalks and the like.  The “art” may be words or images painted from aerosol spray paint cans of course.  But, as the film shows us, the true masters of the art utilize media and techniques as diverse as stickers, tiles, stencil art, mural painting and more. “Banksy”, the featured street artist of the “Exit Through the Gift Shop” documentary has done much to push the envelope of what is possible in these regards and much of his work is fascinating and eye-popping. 


            All this has gotten me to thinking: what if Banksy and his kind were church planters rather than so-called “post-graffiti artists”?  What kinds of spirit would they bring to the notion of taking the ministry out of church buildings and other formalized environments to the streets of our cities?  After all: isn’t this what they have done to the art world?



            Yes, it most assuredly is.  The street artists have confronted the notion that art belongs in climate-controlled, well-lit and sterilized galleries and museums and broken the rules by exposing their work to the raw elements and human environments of the abandoned buildings, bridge abutments and billboard spaces of our cities.  In doing so, they have confronted our monotony by surprising us with delightfully light-hearted or powerfully thought-provoking images and messages.  By doing so, they demand us to take notice of things we would otherwise dismiss, neglect or assign to the fringes of our lives.  Isn’t this, in a sense, what Jesus and the Apostles did when they healed the sick in the streets and preached sermons from hilltops and parked fishing boats? 


            The street artist’s message is, in a sense: “Art is breaking in to your everyday environment” and challenging you to see the world differently”.  And, in a similar way, the message of Jesus is: “The kingdom of God is breaking in to the present age and challenging you to see the world and the meaning of your own life differently”. 

Could it be that Banksy and his contemporaries “get it” about the way the unexpected is capable of breaking in to the everyday that has somehow eluded many of our most notable church thinkers and leaders?  


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